![]() "It's really f-ing crazy," he told reporters, clutching his awards. Unexpectedly called up again for best director, Bong saluted his fellow nominees, particularly Martin Scorsese, and concluded: "Now I'm ready to drink until tomorrow."Īfter the Dolby Theatre had emptied out, the "Parasite" team still remained on the stage, soaking in their win. "I am ready to drink tonight," Bong said, prompting roars from the crowd. Multiple standing ovations greeted Bong's several wins. But in recent years, to diversify its membership, the Academy of Motion Pictures Arts and Sciences has invited many more overseas voters. The win was a watershed moment for the Academy Awards, which has long been content to relegate international films to their own category. True to its name, "Parasite" simply got under the skin of Oscar voters, attaching itself to the American awards season and, ultimately, to history. In Hollywood," "The Irishman" - the film academy instead went overseas, to South Korea, to reward a contemporary and unsettling portrait of social inequality in "Parasite." In a year dominated by period epics - "1917," "Once Upon a Time. "Parasite" took Hollywood's top prize on Sunday night, along with awards for best director, best international film and best screenplay. ![]() The Golden Globes take place Sunday night.LOS ANGELES - In a milestone win that instantly expanded the Oscars' horizons, Bong Joon Ho's masterfully devious class satire "Parasite" became the first non-English language film to win best picture in the 92-year history of the Academy Awards. Area Film Critics Association, the Southeastern Film Critics Association and the Atlanta Film Critics Circle.Īnd you don’t have to wait long to see the next movie awards contest. “Parasite” has been the best film of 2019 by several other groups of film critics including the Los Angeles Film Critics Association, the Chicago Film Critics Association, the Toronto Film Critics Association, the Detroit Film Critics Society, the Phoenix Critics Circle, the Washington D.C. Best actress winner Renée Zellweger was born in Katy. Tim Tsai, named Texas film visionary, examined the repercussions of the influx of Vietnamese fishermen along the Gulf Coast in the ‘70s with his documentary “Seadrift.” Annie Silverstein’s Texas independent film winner, “Bull,” a feature film exploring the friendship that grows between an aging black rodeo rider and a young white neighbor, was shot in Houston and Angleton. Brown, was the recipient of this year’s outstanding achievement award. The Houston area was also a champion of sorts Thursday as it was the setting for some of the winners and the birthplace of one.ĭirector Trey Edward Shults, who hails from Spring and released the film “Waves” in 2019 starring Sterling K. tonight at the MFAH for a screening of his 1964 film “The Masque of the Red Death” starring Vincent Price. His low-budget B-movies proved to be the launchpad for the careers of Jack Nicholson, Francis Ford Coppola, Martin Scorsese and Sandra Bullock among others. The other was legendary independent film producer Roger Corman, the recipient of the Lifetime Achievement award. To inaugurate this addition, Ellyn Needham - the wife of the late stunt pioneer Hal Needham (“Smokey and the Bandit,” “Cannonball Run”) - was one of the evening’s special guests. “John Wick: Chapter 3 - Parabellum” won the Houston Film Critics Society’s first award in the newly added stunt coordination team category. “Marriage Story,” which had six nominations, had one win and it was for actor Adam Driver. Quentin Tarantino’s “Once Upon a Time…in Hollywood,” which came into the contest with the most nominations at seven, went home with two: supporting actor (Brad Pitt) and poster art. Tying “Parasite” with three awards is the Sam Mendes WWI film “1917” which won for cinematography (Roger Deakins), original score (Thomas Newman) and visual effects.
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